This is one of my newer sculptures (one of the two dozen half-finished projects I started this last month that I actually managed to finish). I'm not even sure what I originally intended with this piece, other than being inspired by deep sea angler fish.
I put a lot of work into sculpting the details, and then ended up obliterating much of that detail because it made this piece look too much like a model of a real fish, and it's not a real fish, it's a strange entity from my subconscious, perhaps masquerading as a fish. Anyway, I'm glad I made those changes, because otherwise I think it would have ended up as a much tamer piece.
The materials that went into it vary, but it's mostly sculpey, with a lot of acrylic medium on top.
I really love the organic menace behind this piece. The artist did a fantastic job of layering color and texture, and it almost reminds me of a mat of algae or bacteria that has seen fit to disguise itself as a fish, or perhaps a clump of particularly fetid psyche that has grown and festered in the mind, gathering strength before launching itself after its prey.
I was also impressed with the fact that the artist removed details he had placed previously. Many artists, myself included, can tend to believe subconsciously that more detail is better, and that intricate and accurate details create wonderful art. Well sometimes, but as Michael Shephard has shown us obviously lifelike detail is not valuable in certain situations. Were this sculpture to have more life-like features, it would cease to have such a wonderful psychological impact and become more like one of those singing bass you see inside bars.
Thank you Michael, for championing the eraser. Just remember that erasing details can lead you to the conclusion that Ann Lies.
I was also impressed with the fact that the artist removed details he had placed previously. Many artists, myself included, can tend to believe subconsciously that more detail is better, and that intricate and accurate details create wonderful art. Well sometimes, but as Michael Shephard has shown us obviously lifelike detail is not valuable in certain situations. Were this sculpture to have more life-like features, it would cease to have such a wonderful psychological impact and become more like one of those singing bass you see inside bars.
Thank you Michael, for championing the eraser. Just remember that erasing details can lead you to the conclusion that
Ann Lies.